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Tag Archive | women

LINK LOVE: 2/7/2012

There were too many great links this morning to pick only ONE for ye old Facebook. So here they are, collected into a nice happy digest. Enjoy!

1. Superheroines in Comfy Pants +  How RPGs Talk To Women

Those links are straight from The Mary Sue, which is a great female centric nerd blog you should already be following on FB, Twitter or through some other social media venue.

Personal favorite:

Bat Woman in Comfy Pants

Bat Woman in Comfy Pants by MichelleSix

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2. Lana Del Rey’s The Hunger Games

The perfect spoof and mash-up of the songstress everyone loves to hate + the increasing hysteria surrounding The Hunger Games.

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3. Neko Case is Recording a Song for The Hunger Games

The Hunger Games coverI predicted this! A Neko Case song kicks off every one of my Hunger Games playlists. She already has so many great songs to choose from, it seems strange that she would need to record another. Ah well, I guess that’s how these soundtrack thangs work. Along with tracks from Arcade Fire and The Secret Sisters, this is absolutely going to be a must buy. Looks like there will be two separate albums – the actual score by T-Bone and James Newton Howard. And then another full of conventional songs inspired by The Hunger Games. It’s going to be released March 20, 2012. Om nom nom.

4. New Spiderman Trailer

Funny, we were just remarking about this last night after receiving the San Diego Comic Con catalog where Peter Parker and Mary Jane are posing front and center. I was in the “looks alright to me” camp, and Dan was in the “I like the web-shooters” camp. Our buddy and current house guest Troy who is easily the more Spidey-obsessed seemed a bit “meh” all around and was much more excited about the potential new Star Trek series.

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Captain America Costume for the Ladies: Phase One

Yep – that’s my big surprise. I’m working on a kick-ass cosplay costume for a female version of Captain America. But not just any old costume, a World War II/Steampunk-esque version of Cap. It’s coming together bit by bit at the moment. 

Check here for Phase Two.

Here’s a REALLY TERRIBLE pencil sketch of the outfit. I am obviously not an artist, but am highly visual and in order for my brain to approve any purchases for this outfit, I needed to see it in one picture, rather than all the separate pieces. Here’s what the final costume should resemble when everything comes together:

You get the idea

The inspiration comes from production stills of the currently filming Captain America movie and the Bryan Hitch Ultimate Avengers comic book version:

Early WWII movie version costume

Ultimate Avengers WWII Costume

There were at least three different pre-made versions of Captain America costumes for women and two of them were sleeveless. Since I don’t sew clothing well enough to make my own, the base of the costume is going to be pre-purchased and I’ll have to craft together all the accessories.

Anyways – a lady with a 3/4 sleeve tattoo doesn’t fit with the classic 1950s theme, so the one I ended up selecting is not as conventionally sexy. But it fits the look better. Already purchased this from buycostumes.com – this website is awesome because they allow users to post reviews and photos of themselves wearing the items. You can always judge a costume better when an average sized person is wearing it in crappy lighting and using a cellphone camera to take a picture. That’s REAL advertising.

The classic female costume

Already know I’m going to do away with that shitty silver winged mask. Yegh.

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A Tale of Two Lizbeths

This is an  idea in its infancy, but it seemed almost fateful that I found this article while scanning through Jezebel the other day. So, because I had book club last night (in which we watched “The Girl With The Dragon Tattoo” and discussed it), I have no long entry or review to post up here today. Sorry, I was up until 1am chatting and I have to work my final day of New Job and go to a wedding. Life is busy!!

But I do have some fascinating link-spamming comparing the two female-centric literary (and now film) phenomenons. I haven’t finished reading or watched the film version of “Eat, Pray, Love” yet, but that is the next entry on our long and distinguished list of book to movie adaptation reads, so this is to prepare you for a much longer post later this month, in which I will wax effusive about the two literary Lizbeth’s, their popularity, and what makes women so fascinated when media presents and portrays other women. Or strong women. Or other strong women. You know.

LINK LOVE:

Jezebel: Lisbeth Salander Is the Cure to Elizabeth Gilbert

If Women Like It, It Must Be Stupid

Making “Tattoo” Indelible

Women of Marvel: Panel Footage

I feel like there were some interesting and valid pieces to the Women of Marvel panel, so I want to share a few clips which captured the spirit and intention of what most of the audience was there for – to celebrate women in the creative process of making comic books and learn more about their craft and what compels them to work in this medium.

This first video (my apologies for the crappy shaky cam) is a response to what their favorite projects have been thus far.

This second video reveals their favorite female comic book characters, as well how they were first introduced to comic books as a medium.

I took video of pretty much the entire panel, but for the sake of those who actually paid admission and traveled to Comic Con to experience this panel first-hand, I will not be posting the panel in it’s entirety. Hopefully these clips will give a flavor of some of the better parts of the panel.

Being a frustrated feminist comic book reader doesn’t mean I don’t also enjoy and appreciate the dialogue happening here. I would love, in the future, to attend a comic book convention where these conversations with mainstream comic book creators could occur unfiltered. Yes, there was a moderator (Marvel stooge) in attendance, who I felt was there to field the tough questions and help the panelist disregard any serious conversations which might have occurred.

Alrighty gang – this is it for the next three days – I’m heading to the Oregon Coast to camp, and then I start a new job on Monday. BUT, I’m bringing LOTS of comic books with me, and I hope to get back to doing just some plain old reviewing next week. Won’t that be a delightful change?

What I’ve been reading? American Vampire, Scott Pilgrim, Rescue, White Queen and Black Widow one shots, Underground and DEMO.

Also – expect a review of Scott Pilgrim vs. The World film which I scored a free ticket to next Wednesday.

The Bechdel Test: 30 Days of Entertainment Recap

Sorry this is a few days late – had to put my Eclipse thoughts down in print (well, as close to print as the internet gets), and my brother arrived home from the Gulf of Mexico on Thursday. Then last night I suffered the indignity of The Last Airbender. Oh you can bet a review of that is forthcoming as well. Anyways, was busy but not busy enough to forget about the recap of the last month’s efforts. So, without further adieu…

WHAT WAS REVIEWED

Comic Books, Regular Books, Television Shows and Movies. I tried to pick a variety of items to test over the month, but you can rest assured that I wasn’t merely selecting things on the basis of them being “worthy.” What was read or watched is really stuff that I would normally consume and didn’t vary from my routine. Except for a few exceptions.

After submitting three episodes of Justified and  having them fail the women and race test, I determined that I could leave off including that show in the future. I still finished up the first season, but have now realized that it doesn’t nearly hold a candle to the awesomeness that was Deadwood. That show was simply too good, and Justified will never be anything like it. Damn, damn, double damn.

There was also a point that I tried to read Ex Machina and realized intuitively it wasn’t going to pass, so was unable to trudge through it. It also started getting super meta by including the author, and that is a gigantic turn-off to me. No one has ever done it well and it completely ruins the story. Sorry writers. We don’t want to SEE YOU in the story. We want the story. You are not welcome there.

I also left off The Road as well. It was a book club requirement and did not pass the women and race test either.

It feels important to disclose what I didn’t even bother putting to the test, because  it still matters to the test. So there you have it – at least three more items that do not pass the test which were not included in the posts for various reasons.

HOW HAS IT IMPACTED PRESENT AND FUTURE ENTERTAINMENT CHOICES?

It’s certainly made me more conscious on a basic level of inclusion. Having to be so meticulous about scouting it out in books, comic books and movies has definitely led to it becoming something of a second nature. It’s kind of a habit now, and I’m not sure if I’ll ever really be able to turn my brain off to examining the nuances. This makes my brain quite happy, as its natural state is to over-think everything.

The Bechdel Test hasn’t necessarily inspired me to give up all entertainment that is dominated by white men, because then I would be giving up some of the franchises and pieces of entertainment that I love. But I’m not going to forget that they only include men and what that says to me as a female reader and someone who feels inclusion is imperative in order to properly reflect humanity and society.

It seems important to mention that even if something passed the test, that didn’t automatically give it a stamp of feminist approval, or mean it was not stereotypically depicting people of color.

Who would have thought that Eclipse and Bree Tanner would have passed the tests? I still firmly believe the Twilight saga is deviously misogynistic and paints a deeply troublesome portrait of romantic love to teen girls that is not achievable in reality. Bella is a disturbing heroine for a younger generation of women.

Another way Twilight passed is through the inclusion of Native Americans; the Quileute characters and use of legends. Outside of the wolf related folklore, there isn’t much mentioned about the current culture and life on the reservation. This is a subject area I would need to do a bit more research on, but the inclusion of Native American characters in the Twilight Saga has clearly been a mixed blessing.

– The real Quileutes in La Push have benefited financially from the exposure and seem pleased to have contemporary depictions of Natives shown in Hollywood (rather than “leather and feather” versions from the 1800s)

– The heritage of actors and actresses depicting the role has been a crucial part of the casting process. Not all of the cast members are full-blooded Native American, and this presents a problem.

– A more in-depth analysis of First Nation representation in the franchise is provided here.

– Actual quotes from Chaske Spencer, the Native American who plays Sam Uley.

This seems like enough material for an entirely different post. Regardless, I guess you could give Stephenie Meyer props for actually including Native Americans in a huge Hollywood blockbuster franchise with all the usual stereotypes stripped away.

Non-Twilight Related Business. Another surprise for me was seeing that Push passed the test. I didn’t have any expectations one way or the other going into it, and so when I started tallying up, I was impressed. It’s been a quiet favorite of mine, an under-rated screen gem which was set up for a sequel it will never receive, much to my dismay. So, even happier to note that it passed both tests, though the Race test only marginally. And perhaps only then because it took place in Hong Kong. But yay for that right? Kudos to films set in foreign countries for no real reason without disrespecting the country and culture.

It also seems strange to me that many of the books, movies, TV shows included women and minority characters, yet left off the need for them to interact with one another. Glee is a great example of a show that purports to be inclusive, but rarely utilizes the characters of color and hardly ever has them converse together. There are still characters of color in the background who haven’t had speaking roles, yet have appeared every episode. That’s hugely disturbing. Sometimes – and I’m sure folks will hate hearing this – I feel like minority or disabled characters are included simply in the series so they can get away with an ethnic joke or a joke about people in wheelchairs that otherwise would be inappropriate if uttered by a white or able-bodied character. For reals.

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Bechdel Test Post #3

TRUE BLOOD: Season 3, Episode 26: Bad Blood

Bechdel Test for Women

1. It has two or more women in it (with names)

2. At least two women talk to each-other: Sookie and Kenya. Sookie and Pam. Sookie and Tara. Sookie and Jessica. Tara and Arlene.

3. There were no conversations between two women that didn’t revolve around Bill or Eric. Tara and Arlene were fighting about race – but that conversation was spurred by the death of Eggs. There was a brief exchange between Tara and Lettie Mae – but it was being coaxed by a male reverend. The only line not uttered through or about a male was when Tara told her mother she was going to take a shower.

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Bechdel Test for Men

1. It has two or more men in it (with names)

2. At least two men talk to each-other: Jason and Andy Bellefleur. Jason and Hoyt. Eric and the magistrate.

3. Jason and Andy discuss the death of Eggs. Jason and Hoyt talk about their life situation – Hoyt asks to move in. Eric and the magistrate discuss the sale of “V” in Louisiana.

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Bechdel Test for Race

1. It has two or more people of color in it (with names) – Tara, Lafayette, Lettie Mae

2. Tara and Lafayette. Lafayette and Lettie Mae.

3. Tara and Lafayette talk to one another about the death of Eggs. Lafayette and Lettie Mae talk to one another about Tara and their own relationship.

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This True Blood episode DOES NOT PASS the female test, PASSES the male test and PASSES the Bechdel Test for Race.

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THE GUILD Comic Book: Issues 1-3

Since these were all read in one grouping…I decided against doing a Bechdel test on each, so they will be measured as a unit.

Bechdel Test for Women

1. It has two or more women in it (with names)

2. At least two women talk to each-other: Cyd and Clara in issue 2. Cyd and Tink in issue 3.

3. Cyd and Clara talk about the  rules of The Game and how to earn points. Cyd and Tink talk about arranging a raid, and later about joining The Guild.

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Bechdel Test for Men

1. It has two or more men in it (with names)

2. At least two men talk to each-other: No men talk to each-other in issue 1. Zaboo and Bladezz in issue 2. Zaboo and Vork in issue 2. Zaboo and Bladezz in issue 3.

3. Zaboo and Bladezz discuss the game and homework. Zaboo and Vork discuss the game.

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Bechdel Test for Race

1. It has two or more people of color in it (with names): Tink. Zaboo.

2. Two minorities talk to one another: Neither of the two characters interact with one another.

3. N/A

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Two issues PASS the female test (2/3), two issues PASS the male test (2/3) and none of the issues PASS the Bechdel Test for Race (0/3).

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Bechdel Test Post #2

GLEE EPISODE #22: Journey

Bechdel Test for Women

1. It has two or more women in it (with names)

2. At least two women talk to each-other: Rachel Berry and Quinn Fabray both talk to their mothers. Sue Sylvester talks to Olivia Newton John.

3. Rachel and her mother talk about Glee Club. Quinn Fabray talks to her mother about her pregnancy and future situation (the baby). Sue Sylvester talks to Olivia Newton John about the Glee Club regional performances.

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Bechdel Test for Men

1. It has two or more men in it (with names)

2. At least two men talk to each-other: Will Schuester and Principal Figgins.

3. Will Schuester and Principal Figgins talk to one-another about the status of Glee Club.

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Bechdel Test for Race

1. It has two or more people of color in it (with names)

2. Two minorities do not talk to one another

3. N/A

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This Glee episode PASSES the female test, PASSES the male test and DOES NOT pass the Bechdel Test for Race.

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AVATAR: THE LAST AIRBENDER – Book Two, Episodes #1-7

Since these were all watched in one grouping…and there are seven of them I decided against doing a Bechdel test on each, so they will be measured in one group.

Bechdel Test for Women

1. It has two or more women in it (with names)

2. At least two women talk to each-other: Katara and Toph (the blind earth-bender). Princess Azula, Mai and Ty Lee.

3. Katara and Toph talk about why Toph does not let her parents know about her earth-bending skills. Princess Azula meets with Mai and Ty Lee to convince them to join with her.

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Bechdel Test for Men

1. It has two or more men in it (with names)

2. At least two men talk to each-other: Aang often talks to Sokka. He also converses with King Bumi.

3. Aang and Sokka talk about the missions. He converses with King Bumi about his training.

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Bechdel Test for Race

1. It has two or more people of color in it (with names)

2. Two minorities talk to one another: All of the main characters are people of color, and they interact every episode.

3. They talk amongst themselves about their journey, the situations they will encounter, and Aang’s training. White people are never mentioned or discussed.

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Only two episodes PASS the female test (2/7), all seven episodes PASS the male test (7/7) and PASS the Bechdel Test for Race (7/7).

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She Has No Head! and the Bechdel Test for Race

She Has No Head! is a great column I’ve been reading for the last few months written about comic books from the female perspective. Kelly Thompson usually publishes once a week, and maintains a personal blog you can find in my blogroll under Kelly Thompson: 1979 Semifinalist.

Kelly Thompson

We share a similar background in how we originally entered into the comic book world (that damn X-Men cartoon), except she’s ventured into the field more artistically with drawing and writing.

Anywho – she posted an insightful interview with Hope Larson, who writes YA graphic novels specifically catered towards young women. Larson somewhat informally surveyed 200 girls and women to find out how they’d gotten into comic books, what they read, where they get it, etc. so she can better market her material.

She shared the findings with Kelly Thompson in an interview format – mostly talking about some of the things women experience as barriers to the medium – social shunning of comic books, misogyny and sexism on the pages, not enough access, etc.

The comment section kind of exploded after that. There is clearly a lot of frustrated men out there who want to hold onto the outdated and faded concept that “comic books are for boys.” I spent at least two hours reading through the comments and formulating a response. I’ll re-post it here:

The prevailing concept of “comic books are for boys” is like an addiction. The idea needs to hit rock bottom before the people who harbor such notions can truly accept the change this medium needs. Anything else is just lip service and they’ll end up in rehab six months down the road claiming that “girls don’t like comic books.”

It’s hard because so many men responding here want to see change. They get frustrated (as do we) when they have to read about someone feeling excluded from a mode of entertainment they enjoy. They wouldn’t read the articles if they didn’t care. They wouldn’t be upset if they didn’t recognize the truth. Some are upset because to change the system would unbalance something that is clearly in their favor. It’s hard to give up privilege because…it’s so damned privileged. And yes, you are privileged to believe you have an entire medium devoted to your gender (even if it’s not truly the case). Women don’t usually get such a luxury – we have genres (romance, fantasy, YA Fiction). Not entire mediums.

Honestly it makes me feel warm and fuzzy that so many dudes read your posts and care enough to respond. To those who apparently have the buying power (as the dollars I spend mean little to nothing to mainstream comic book writers, creators, editors and artists)…what are you doing to make fundamental changes so the books you love can represent women and minorities equitably?

And if you don’t care…why are you here – reading a blog that is clearly approaching comic books from a feminine perspective? I’ve read a couple different times now a plea for the author to review good books sans female interpretation. Why does she have to neutralize her gender?

Because male is the default gender of our society. And the female perspective is not an applicable lens with which to view the world. It’s not the voice of academia or authority.

Most men fail to realize how much of gender informs what they deem good or worthy of reading. And when they take the time to review, rarely mention gender at all.

It is no accident that women routinely reflect on gender when reviewing things. We experience gender as a very real barrier to many things we would otherwise be fully able to love and enjoy about our lives. And nine times out of ten, when we share that experience with men – they either deny it, or play down the importance of our experience.

I think most of the men in this forum do care. I would say most people desire stories with well represented characters from both genders. We probably love and have close relationships with both men and women. You know, cuz we’re not robots. Well, most of us. It’s very heartening to see men here willing to approach comic books from a perspective that is not their own and have reasonable discussion.

It means a lot to me to have dudes on the side of women when it comes to making a change in the industry. I’ve mentioned this before…but I find myself less and less attracted to superhero books because of the blatant sexist depiction of women. Yes – Rogue’s new costume – half-unzipped and boobs hanging out is the reason I’m not buying the X-Men Legacy title right now. Even if she is the central character and the writing is fantastic. Sorry, there are some things I’m absolutely unwilling to compromise on.

There’s a lot of compelling discussion happening in the comment section of this article and if you are a person who wants to see the medium revitalize and superhero books regain the admiration of women, I think this is a great place to start.

I’m really heartened that many of the guys who read this blog and Thompson’s column seem to recognize that as a woman, it’s important for us to reflect on gender and discover where it is represented in the male-dominated comic book medium. The feminine perspective is one of the primary lenses with which I have to view the world, and it’s important to do so…because (as I mentioned in my comment) – the male perspective is the default view of academia and authority. Well, it’s just the damn default view in general.

As is the white lens. I haven’t brought up much discussion of race on this particular blog in relation to comic books. I’ve often felt inadequate at doing so. But the She Has No Head! article really made me stop and think about privilege.

So – going to add a race component to the Bechdel Test, using some of the suggestions from this Racialicious article.

Using pretty much the same rule:

  • It has to have two people of colour in it.
  • Who talk to each other.
  • About something other than a white person.
  • Hoping to submit my first Bechdel entry tomorrow.

    In the interim, here are some interesting articles about the Bechdel Test and race – happy to report that some of my favorite shows pass (BSG and True Blood):

    The Bechdel Test and Race #1

    The Bechdel Test and Race #2

    Spreading the Link Love: 4/08/2010

    Not enough for a full article, but important enough to avoid a simple one-liner on Twitter.

    1. Painted Ladies: On Tats and Trashiness

    Having had a large and highly visible tattoo on my arm for the last two years – I’ve had my fair share of compliments, insults and insults disguised as compliments. These have ranged from burly biker dudes, tween girls and middle-aged women. Specifically in that order.

    I get that people are full of opinions, and having prominently displayed body art leaves you vulnerable to hearing said opinions of anyone passing on the street. But terms like “trashy” and “low-class” used as descriptors for people (women especially) are exceedingly classist, and are generally lobbed from people with advanced opportunities and education against those who are not so well-situated in life.

    While it’s all fine and good to personally eschew tattoos, piercings, hair dye, eating meat, blowjobs, whatever – thinking you have the right to approach strangers and share your unsolicited opinions is pure and utter bullshit. But that’s part of the territory, and as a body art enthusiast, something I’ve come to love/hate about the permanent  change I’ve made to myself. And it’s kinda worth it when sexy Battlestar Galactica actors compliment and touch your arm. Mmmm. 😉

     

    2. Chris Claremont Unveils X-Women

    While normally I’d reserve my ire until I actually read this 46 page graphic novel…just the few preview pics are enough to make me shake my head in bitter disgust. Whenever I consider how the X-Women might spend their leisure time, or what sort of female bonding they’d do when they have the chance, I automatically think – bikinis and jet skis!

    I’m not being sensitive. Truly. Or even over-reacting. This is me completely under-reacting to this news. What else could I possibly say? Pretty sure the art-work by Milo Manara and Claremont’s statements speak for themselves. What they say to me: yeah, we’re totally being sexist dicks and completely disregarding at least 50% of the X-Men fanbase, but WHO CARES? Did you see the Tits and Ass on Rogue? Fuuuuck Yeaaaah!

    But in case I misconstrued their statement, here’s the artwork:

    And quote:

    “We’re speaking primarily to an audience that may not be as religiously familiar with the American canon in terms of characters and the world itself, so you want to create a physical environment that is accessible to the broadest possible collection of readers.”

    Speaking for themselves.

     

    3. Joss Whedon on Short List to Direct Avengers

     That’s the rumor these days kiddies. That, along with Bryan Singer now ONLY producing X-Men: First Class is some of the biggest comic book movie news to hit in the last few weeks. How do we all feel about Joss Whedon putting his rumpled ass in the Director’s seat for one of Marvel’s biggest franchise movies?

    Uncertain – at worst. He has proven that he can wield a deft hand with ensemble casts, but he’s always had the fortune of being the one to assemble them (there’s a nerdy Avengers Assemble joke in there somewhere). This cast has been hand-picked by several directors who’ve come before him.

    As the DH, Dan Robertson, also pointed out in one of our incredibly nerdy/fan-freak conversations – Whedon would have the task of directing and managing some Actors (with a capital A) that are notoriously difficult to work with in Hollywood. Specifically Edward Norton and Robert Downey Jr. I worry more about Norton, than RDJ. Whedon knows how to mine the comedic for the tragic quite easily, and I feel like he would have no problem coaxing golden performances out of RDJ and Chris Evans.

    Also rumored to be in the running – Louis Leterrier (le terrier? Really?) and I’m putting at least some weight behind Jon Favreau, although his helming Ironman is most certainly a nice bid for Whedon. Favreau sort of came out of left field like – WTF, THAT guy? The SWINGERS GUY?

    And pulled off one of the more successful Marvel franchise film series. Christopher Nolan also dicks around with smaller independent fare, and has done well with his Batman flicks. So – why not Whedon? Just cause Dollhouse and Firefly? Come on dudes, Buffy, Serenity and Astonishing X-Men. That’s like, three pieces of awesome versus only two bomb TV Shows (which have spastic cult followings of their own).

    It’s hard out there for a pimp. All’s we are saying, is give Whedon a chance. Maybe he’ll force them to include at least ONE FUCKING WOMAN in the Avengers. Spider-Woman? Ms. Marvel? She-Hulk? He’s Joss Whedon, champion of awesome women. He’s like the golden ticket for inclusion of female characters. *fingers crossed on that one*

    But he could do Runaways instead. Which would fit his M.O. more solidly – it’s got super-powered teen girls kicking ass. And would make my nerd heart cry, cause I know that dramatically decreases the chances of any “strong” female presence on the Avengers team. But, yay him. Dudes got bigger fish to fry outside of some wobbly television series with Fox.

    That’s all she wrote…for now…

    COMING UP NEXT: Kick-Ass Movie and Graphic Novel Review

    Caprica: Re-Cap and Review

    It has only been a few days since Dan Robertson and I finished up all four seasons of the re-imagined Battlestar Galactica series, and we were seriously fiending for a world in which cylons and humans battle for ultimate supremacy. Yes – Battlestar Galactica is perhaps one of my favorite television series – up there with the likes of Buffy the Vampire Slayer, Six Feet Under, Firefly and Deadwood. And I am more than a little saddened to see it go.

    We’ve both heard buzz about Caprica for awhile, but as we had not completed the sequel series, didn’t want to spoil the ending with a new show that would possibly reveal some of the answers.

    Now that we’ve watched the final gut-wrenching episodes of BSG – there was no reason to wait any longer – so we queued up and watched all four recently aired episodes of Caprica.

    The show takes place a generation before most of the BSG main characters are born, though it does feature a pre-teen William Adama. The main plot centers around two families, the Adamas and the Graystones, and how they deal with the reprecussions of a terrorist act occurring in the first few minutes of the pilot episode.

    What’s ingenius is how cleverly they’ve merged the two series plot-lines (BSG and Caprica) while making them feel and seem entirely different. Take a gander for yourself:

    The visual style was what I noticed pretty immediately. Whereas BSG had pans, quick zooms, grainy texture and a thundering soundtrack…Caprica is full of light, air and bright colors. BSG always felt claustrophobic and dim (but homey) and Caprica sprawls out lavishly on the screen. It’s wonderfully conceived with it’s stark contrast to it’s predecessor and makes me respect the series even more for taking that risk.

    The casting seems effortless on so many levels – at first I felt like I was going to be put-off by the teen female lead Zoe (Alessandra Toressani) but by the end of the first episode, she had me captivated. She is a brighter, craftier version of the woman who plays the lead on Vampire Diaries – Nina Dobrev – but they both have the deep husky voice that seems to be all the rage lately with the younger ladies of film and TV (Emma Stone, anyone?).  Anyway, it’s pleasant and anti-perky and makes me sympathetic and intrigued by her character.

    Other bright gems were in the casting of two HBO alumni – Paula Malcomson from Deadwood and Polly Walker from Rome – a series which, like Deadwood, ended before it’s time.  Malcomson plays Amanda Graystone, a medical doctor and Walker plays Clarice Willow director of the Athena School.

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